Tianchan Mao
This study investigates the transformation of embeddedness relationships in China’s audiovisual industry during platformization. Based on interviews with thirty-five audiovisual professionals in the Yangtze River Delta region, the study finds that under the dual administration of both the state and platforms, Chinese audiovisual producers have developed a model of bilateral embeddedness. While they integrate into platform ecosystems for IP and promotion resources, they simultaneously “pretend to” embed in state-led clusters to obtain policy support, without substantive participation inside. This bilateral embeddedness highlights a new configuration of audiovisual production, where audiovisual producers strategically negotiate between the state and platforms to enable a gradual economic transformation during platformization.