Marco Caracciolo
Through close readings of two contemporary novels, Charlotte Wood’s Stone Yard Devotional and Samantha Harvey’s Orbital, this article explores the existential value of retreat as a response to the ecological crisis. In these ‘fictions of retreat’ – as I call this strand of climate fiction – retreat is understood as a strategic gesture of stepping back from ordinary life in order to gain new perspectives on human – nonhuman relations. A key component of retreat is a reframing of resilience from an individual psychological attribute to a collective experience. Retreat takes profoundly different forms in Wood’s novel – whose protagonist, an atheist woman, retires to a convent – and in Harvey’s work, which is set aboard the International Space Station. In both narratives, though, retreat fosters experiences of community and shared rhythms that offer a distanced and affectively nuanced stance on our environmental predicament.