Nina Berman
Abstract Among the limited economic opportunities available to marginalized men are careers in sports and the performing arts, including acrobatics. Ethnographic research among Mijikenda acrobats reveals how kinesthetic activities, including training and performance, as well as practices associated with the notion of utu , generate solidarity and self-confidence that translate into economic activity, both collective and individual. Acrobats pursue economic endeavors within and beyond the creative profession, building viable livelihoods despite systemic obstacles resulting from socioeconomic marginalization and limited schooling. The study highlights how interconnected sociocultural and economic practices build dignified, if fragile, networks of support.