Ivan Jarić, Stephanie Januchowski‐Hartley, Stefano Mammola, Jagoba Malumbres‐Olarte, Christina Lux, Sarah L. Crowley, Béatrice Albert, Ricardo A. Correia, Ioanna Daphne Giannoulatou, Jonathan M. Jeschke, Richard J. Ladle, Sarah Markes, Jane Mutiny, A Kuzhandhaivel Pillai, Valerio Sbragaglia, Diogo Veríssimo, Uri Roll
Collaborations between biodiversity conservation and the arts can lead to synergies and fresh approaches to intractable problems. These collaborations can yield diverse mutual benefits, such as offering reciprocal sources of inspiration, information, and learning; providing one another with new tools and resources for synthesis and innovation; securing funding; and contributing to increased visibility and influence. The arts may be uniquely poised to raise awareness, influence behavioral change, improve well‐being, and assist with developing conservation tools and materials. Likewise, conservation can provide artists with relevant expertise, nature‐based art material, samples, and resources, as well as inform sustainability aspects of the arts. Effective synergies between the arts and conservation will necessitate greater funding and institutional support, improved willingness to collaborate, better recognition of the benefits of artists’ involvement in interdisciplinary conservation teams, and sound empirical methods to gauge such collaborations.